stic energy. Hailing from the Canadian prairies, this four-piece band blends bluegrass, folk, country, and Americana into a style that’s entirely their own — flawlessly executing banjo rolls, rapid mandolin tremolos, and rich three-part harmonies with stories of ghosts, betrayal, and murder, all delivered with a wink and a grin.
Fiercely original and proudly unconventional, The Dead South have built a global following of fans known as Good Company, many of whom show up to shows in the band’s signature look. Their music crosses boundaries and brings together people from all walks of life — proving that when you stay true to who you are, you don’t need to fit in to stand out.
With Special Guest Angry Zeta

drummer Joe Iaccino. Together, Speckmann and Schmidt formed a more aggressive metal band based around Motörhead, Venom, Slayer, and the emerging extreme metal movement. Eventually, Schmidt & Speckmann left War Cry, who (after their departure) also lost most of their heaviness. Schmidt had begun writing songs in the thrash vein as early as mid-’83 and Speckmann followed suit. They named their band Master and auditioned twenty-six guitarists, none of whom were suited to the task. This caused Schmidt to leave Master and join the local metal act Mayhem Inc.. Speckmann then started his own band, Death Strike and songs were written for Deathstrike that were later re-recorded with Master! He was joined by guitarist Chris Mittlebrun (who had auditioned for Master a year earlier, but was still stuck in Judas Priest mode) and together wrote more Death Strike songs. A second guitarist, the sixteen-year-old Kirk Miller, was brought in along with drummer John Leprich.
After Death Strike’s Fuckin’ Death demo made an impact on the underground, Bill Schmidt begged Speckmann to rejoin the band. As Death Strike drummer John Leprich could barely get the beats down for Pay to Die and was, according to Speckmann, a drunk, Schmidt reentered the fold. After kicking out Miller (who Speckman says was really just a session musician), the band was renamed, Master. Guitarist Chris Mittlebrun stayed in the band, as Schmidt was highly impressed with his songwriting skills.
Speckmann’s father had passed away and left his son an inheritance, so Speckmann invested the money in studio recordings with a promise from Schmidt to sign the first decent deal they received. Master headed into Seagrape Studios where they recorded their 1985 unreleased debut album. Somehow, rough mixes of the tracks got out and were traded throughout the underground (allegedly by Shaun Glass). Consequently, Master became a huge name in the underground.
This 1985 album was never officially released because a deal offered by Combat Records (the same deal that Death signed) fell through. Master was managed by Kim Fowley at the time, who allegedly demanded changes be made to the contract. Combat simply laughed and tore the contract up.
Local support from Sorcerer’s Sword, Butchered and GrimForge.
ALWAYS ALL-AGES

ssibilities are endless! 🏛️ Join us at Nugget Event Center in the heart of Sparks, NV for an event that defies expectations. 📅 On October 10th, 2025 at 06:15 PM, be part of something truly extraordinary as we bring together innovation, entertainment, and pure magic. ✨ Every aspect has been carefully designed to ensure an unforgettable experience for all our guests. Whether you're seeking adventure, inspiration, or simply a break from the ordinary, this event promises to deliver beyond your wildest dreams. 🎊 Prepare for a journey into the extraordinary!
Dirty Heads are a reggae rock band from Huntington Beach, California. Consisting of lead vocalists and founders Jared Watson (Dirty J) and Dustin Bushnell (Duddy B), along with percussionist Jon Olazabal, drummer Matt Ochoa and bassist David Foral, the band was formed in 2001 and immediately evoked the spirit of bonfire barbeques and summer road trips. Dirty Heads’ appeal is rooted in the infectious reggae grooves of songs like 2017’s “Vacation,” which became a viral hit in 2021 as the sound behind the #VacationTransition trend on TikTok. The band’s breakthrough hit was another “song of the summer” contender: “Lay Me Down” (feat. Rome of Sublime with Rome), which reached No. 1 on the Billboard Alternative Songs and Rock Songs charts. In 2021, the band released The Best of Dirty Heads, a compilation album featuring Travis Barker, Aimee Interrupter of The Interrupters, Matisyahu, Train, Tech N9ne and Rome. Dirty Heads have hit the road with artists such as 311, O.A.R., Gym Class Heroes and Lupe Fiasco, and more.

the evolution at redrunvc.com, set a reminder for 6.20.25 at 9AM, and get ready to run like hell.
💀 REGISTRATION OPENS 6.20.25
#redrunvc

Reno Public Market is so excited to welcome Wake The Dead to Faye's Stage!
Wake the Dead is the World’s Only Celtic All-Star Grateful Dead Jam Band. Since 2000, this hot Northern California septet has been blending Celtic traditional music and the songs of the Grateful Dead—at first impressing the Dead themselves enough for them to release the début CD on Grateful Dead/Arista Records. Now, ever more inventive and ever more energetic, WAKE THE DEAD spreads their reach to embrace the entire Summer of Love, keeping it alive for Deadheads and Celtoids alike as only they can.
Grab a drink from Honey Bar and enjoy this incredible performance!

October 11, 2025.
Russell Dickerson has carved out his place in country music with a sound that’s as infectious as his energy on stage. With five platinum-certified singles and a string of No. 1 hits — including “Yours,” “Blue Tacoma,” and his latest chart-topper “God Gave Me A Girl” — he’s become a staple on country radio and a must-see live performer.
Now, the Tennessee native brings his powerhouse vocals and crowd-igniting charisma to the Grand Theatre at Grand Sierra Resort. As he gears up for his fourth studio album featuring the new single “Bones,” fans can expect a night packed with emotion, hits, and the kind of electric atmosphere only Dickerson delivers.

a nostalgic approach to alternative rock. They are known for their distinct sound, which draws from 80s New Wave influences and incorporates elements of dark wave, goth, and indie pop. Insane rhythmic guitar skills are just one of the many things that make them stand out against other underground indie rock bands. Think 80s-style New Wave music like New Order and Depeche Mode but with a distinctively modern flair.
Support from Riki, the Los Angeles based dark synth-pop outfit commandeered by the mysterious Niff Nawor, a visual artist and musician active in the deathrock / anarcho-punk scenes of the California bay area (formerly a member of Crimson Scarlet), before founding her solo endeavor as Riki in 2017.
Riki returns with her 2nd simulacrum of pitch-perfect synth-pop, aptly titled for the precious substance it is: Gold. Inspired by notions of symbolic power, letting go, and transmutable realms of the heart, the album further refines her rare gift for making swooning melancholia as anthemic as it atmospheric. Working with Telefon Tel Aviv co-founder Josh Eustis at his Pasadena studio, the sessions unfolded fluidly and fruitfully, focusing on “quieter moments” and refining the record’s palette and voice. Occasional interruption from a nearby flock of wild parrots infused a mood of California dreaming, purple sunsets dissolving into deepening neon night.
ALWAYS ALL-AGES

d and imagined.
Smerz is the Norwegian duo of Henriette Motzfeldt and Catharina Stoltenberg, based in Oslo and Copenhagen. The duo is set to release their sophomore album, Big city life, on May 23 through Danish label Escho.
Using collages to capture moments of everyday life and dreams, Smerz tell stories of love, apathy, solitude and friendship. The pair operates at the intersection of genres, drawing inspiration from compositional techniques in classical music, the experimentation of computer music and the immediacy of pop music, all in the palettes of girly existentialism. The duo’s discography includes the critically acclaimed debut album Believer on XL Recordings, EPs Have fun and Okey, released through XL and Escho, as well as pop fantasy project ALLINA and choir piece Tidligere den dagen with vocal ensemble GAEA on their own label Shopping.
Notable past performances include Tate Modern, MOCA Geffen, Berghain, Volksbühne, MIRA Festival with Weirdcore, KODE with the Norwegian National Company of Contemporary Dance, and Club To Club. From their choir performance at the MUNCH Museum to fashion runway soundtracks, throughout their work, Smerz have been known for their ability to navigate and create new sonic worlds.
 
ALWAYS ALL-AGES

olf course packed with ghoulish obstacles and haunting surprises around every corner. While you're here, browse a selection of spooky handmade goods from talented local artists and explore our Haunted Gallery group exhibition—where the art is just as eerie as the course. Perfect for thrill-seekers, art lovers, and anyone looking for a unique Halloween experience!
Dates: Thursday, October 16 – Friday, October 31, 2025Time: 6:00 PM – 11:00 PM

hton James. Formed in 2011, the duo originally started as a hardcore pop-punk band during their high school years but transitioned to EDM after growing tired of the pop-punk sound. Their breakthrough came with a viral dubstep remix of "Daisy" by Brand New, which gained traction on Hype Machine, an MP3 blog aggregator. Known for their melodic dubstep style, Adventure Club's signature sound features high-pitched female vocals, electronic hooks, and heavy bass drops. They draw influences from artists like Tiësto, Flux Pavilion, Greeley Estates, Bring Me the Horizon, and Skrillex.
 
Doors 8:30 - Show 9:00 - 18+

�🌃@Flosstradamus is bringing the ‘DON’T GIVE A - 🫢’ energy to @CargoReno on Thursday, October 23rd‼️ TRAP is SOOOO back and why not bring the guy who IS the assignment🤩. 2025 is all about TRAP, get on the bandwagon🔊💨If you’ve never gotten a chance to see the KING of trap, this is your time to WITNESS history 🥳
Flosstradamus is the stage name of American DJ and musician Curt Cameruci. From 2007 until 2016, Flosstradamus consisted of Cameruci and Josh Young from Chicago. The duo announced they would both be pursuing solo careers, with Cameruci to continue using Flosstradamus as a stage name. Cameruci is also known as Autobot, and Young is also known as J2K and YehMe2. Flosstradamus is known for being one of the early pioneers of the trap genre, made popular by their remix of Major Lazer's hit single "Original Don".